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Introduction |
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Authors Bio |
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Contents |
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Contents
CHAPTER 1:
A Censorship of Forgetting: Origins and Origin Myths of “Battle Hymn of the Republic”
Annie J. Randall
CHAPTER 2:
Discipline and Choralism: The Birth of Musical Colonialism
Grant Olwage
CHAPTER 3:
Power Needs Names: Hegemony, Folklorization, and the Viejitos Dance of Michoacán, Mexico
Ruth Hellier-Tinoco
CHAPTER 4:
The Power to Influence Minds: German Folk Music During the Nazi Era and After
Britta Sweers
CHAPTER 5:
The Making of a National Musical Icon: Xian Xinghai and his Yellow River Cantata
Hon-Lun Yang
CHAPTER 6:
Dancing for the Eternal President
Keith Howard
CHAPTER 7:
The Power of Recently Revitalized Serbian Rural Folk Music in Urban Settings
Jelena Jovanovic
CHAPTER 8:
Hands off my Instrument!
Helen Reddington
CHAPTER 9:
Barbadian Tuk Music – A Fusion of Musical Cultures
Sharon Meredith
CHAPTER 10:
There Goes the Transnational Neighborhood: Calypso Buys a Bungalow
Michael Eldridge
CHAPTER 11:
Fighting for the Right (to) Party? Discursive Negotiations of Power in Pre-Unification East German Popular Music
Edward Larkey
CHAPTER 12:
Who's Listening?
Bennett Hogg
CHAPTER 13:
Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music
Laudan Nooshin
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